Geese

Meet Cameron Winter, 23, the cryptic genius behind Geese's *Getting Killed* — a ferocious, landmark rock album drawing comparisons to Radiohead, Pavement, and Swans.

Brooklyn indie band Geese plays SNL this weekend, sparking the same hype-and-backlash cycle that defined the Strokes and Nirvana's breakthrough moments.

Geese's *Getting Killed* is a furious, apocalypse-soaked rock record — politically raw, musically fearless, and one of the year's most necessary listens.

Brooklyn rock band Geese's new album *Getting Killed* is splitting fans between "watered-down Radiohead" and "rock's future." Lipez explores what that divide reveals about fandom.

Brooklyn's Geese deliver a surreal, chaotic fourth album — sardonic dread, scrambled guitars, Van Morrison melodies undermined by absurdist wit. Brilliant and deliberately baffling.

NYC post-punk band Geese discuss their genre-shifting sophomore album *3D Country*—surreal roots rock wrestling with generational anxiety, technological hyperreality, and apocalyptic Americana.

Brooklyn teens who almost quit now lead Radio 1's Sound of 2026. Their chaotic, unfiltered third album *Getting Killed* made them rock's most exciting new band.

NYC's Geese discuss outgrowing post-punk on sophomore album *3D Country* — blending classic rock, Americana, and gospel while barely leaving their teens behind.

Brooklyn rock band Geese discuss their chaotic new album, Guitar Center bans, and the Mets—all between innings at Citi Field.

Geese's *Getting Killed* is an indie smash the critic genuinely can't decide on — grasping its raw appeal while finding it overreaching and underdelivering.

Brooklyn indie wunderkinds Geese discuss their chaotic, Kenny Beats-produced third album *Getting Killed* — including one very expensive day spent choosing a clap sample.

Brooklyn teens Geese are NYC's next buzz band—post-punk prodigies with music-industry bloodlines, a debut album dropping, and only 14 shows under their belt.