Music

Lana Del Rey's *Norman F\*\*\*\*\*\* Rockwell!* is her best yet — a critic argues her messy, contradictory Americana is exactly the point.

Charli XCX built a career proving mood-board aesthetics can have real depth. Her latest projects suggest that winning streak may be ending.

Lana Del Rey's decade of cultural controversy — from "industry plant" accusations to race debates — consistently overshadowed her actual music.

Jill Scott returns after a decade with affirming neo-soul; Brent Faiyaz chases reinvention. Two albums, two philosophies on where R&B should go.

Charli xcx's *Brat*-fueled era spans film, music, and cultural politics. A sharp look at how she's outpacing pop's boundaries without abandoning her hyperpop roots.

Hearing "Only Shallow" on a late-night radio tape changed everything. Morrison traces how *Loveless* rewired his musical taste as a teenager.

Geese's *Getting Killed* is their best album yet — chaotic, self-aware indie-rock wrestling with loneliness, doom, and modern life without losing its gritty edge.

Geese's *Getting Killed* is their most ambitious record yet — chaotic, creative, and wholly their own. A strong contender for indie rock album of the year.

Geese's *Getting Killed* captures soaring euphoria and crushing heartbreak in equal measure. A must-read for fans of Brooklyn's fastest-rising rock band.

NYC band Geese blends Springsteen, Swans, and country chaos into a calculated, uncanny rock album that's angelic, violent, and distinctly American.

Meet Cameron Winter, 23, the cryptic genius behind Geese's *Getting Killed* — a ferocious, landmark rock album drawing comparisons to Radiohead, Pavement, and Swans.

Brooklyn indie band Geese plays SNL this weekend, sparking the same hype-and-backlash cycle that defined the Strokes and Nirvana's breakthrough moments.